Oper und drama pdf

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During his lifetime and in his essay Opera and Drama , Wagner was extremely critical of many opera composers particularly Giuseppe Verdi and to some degree W. Mozart because he felt that they considered music to be central in the opera genre. Conversely, Wagner postulated that the words the drama sung by the choir and soloists must be focused on conveying an understanding and a feeling based on human logic and reason.

For Wagner, both the words and the music must be content meaning focused. Shedlock and William Ashton Ellis appears here, to your right , in English translation. He even built his own theatre, ensuring that he would have total control over every aspect of his opera productions. Ultimately, Wagner exposed himself as the conclusive individualist who was uninterested in cooperating with anyone else.

Drama, Tragedy, Comedy in Opera. The word drama is originally from the Greek word meaning action. In Greek times, the word drama meant a play performed on stage.

Greek dramas included actors who spoke in monologue or dialogue and wore masks. Additionally, there was a chorus which either spoke or sang in unison.

The role of the chorus was to comment on the actions of the main characters. Unfortunately, the actual musical renditions of Greek, and later Roman, dramas have not survived to our time. Therefore, it needs to be remembered that any analogies from Greek drama to contemporary opera are highly speculative. In traditional Greek theatre, dramas or plays, as we would call them today were either tragedies or comedies.

Traditionally, these are depicted as two masks. The word is the same as the Greek, but the meaning became narrower. The 19th century drama was neither a comedy nor a tragedy. Instead, it depicted a third type of theatrical genre.

Its purpose was to evoke emotions in the audience who became immersed in the conflict happening on stage. Today, the word drama tends to have an even narrower meaning. In film and stage productions today, reference to drama imply scenes evoke highly emotional responses in the audience. Of course, today, highly charged and highly passionate scenes in film and theatre are produced not so much through the conflict or even the words spoken by the characters, as through lights, sound effects and music.

Ursprungsszenen in der Moderne«, in: dies. Friedrich Gottlieb Klopstock, Die tote Clarissa , in: ders. Zeichenregime im Jahrhundert , Berlin , —, hier: f. I-XXII hrsg. Dort 1. Szene Nr. Barbari Numi! Leo C. R Sullivan Hrsg. The Arethusa Papers , Albany , — Peter Jones, Reading Ovid. Stories from the Metamorphoses , Cambridge , 8— Johann Wolfgang Goethe, Proserpina , in: ders.

Zum Biss in den Apfel vgl. Goethes Triumph der Empfindsamkeit« , Euphorion Johann Wolfgang Goethe, Iphigenie auf Tauris , in: ders. Jahrhundert vgl. Volksrechten ist hier rapuerit gleichbedeutend mit tulerit oder traxerit, puella quae trahitur gleichviel mit rapitur. Hans Christian v. Download references.